From the front to the back of the stage, from the boy to the girl, from the dancer to the choreographer, from air to water, from its interior to its exterior, from the supple roundness of the balloon to the rigid, rectilinear edge of the heavy cube, this simple device suggests a thousand parallels from the outset. The subtlety however, taking stock of the distance, is the primary feature of this piece, which invites us into the floating pleasure of reflection, far more than pointing us towards the constraint of commentary.

Gérard Mayen, Transgressive Spaces, Mouvement (FR), March 31, 2004

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