Although she has brilliantly incorporated documentary into many of her recent pieces, unmitigated dance is offered in Mirage, whose visual elements were designed with the complicity of Sophie Whettnall. […]
Far from imposing itself, the device integrates subtly within the choreography, the group and these women, with their propulsion and releasing movements. Integrating with time also, a capital ingredient of this opus. The force of Mirage, its intense, discreet elegance, lies in the formidable generosity with which the piece invites everyone into its space-time.