CRITIQUEER LA DANSEEssay by Pauline L. BoulbaPresses Universitaires de Vincennes, Collection “Recherches-création”, 2023Original language: FR
FABRIQUES, EXPÉRIENCES ET ARCHIVES DU SPECTACLES VIVANTCollective work edited by Sophie Lucet, Bénédicte Boisson & Marion Denizothistoire(s), récit d'un déplacementEssay by Olga de SotoEd. PUR / Presses Universitaires de Rennes (FR), 2021Original language: FR
MEMORIA DE GESTOS, OBJETOS DE LA MIRADAEssay by Olga de SotoRed Escénica n° 13 - Performing Arts JournalGeneralitat Valenciana, Institut Valencià de Cultura (ES), 2021Original language: ES
THE OXFORD HANDBOOK OF DANCE AND REENACTMENTCollective work edited by Mark FrankoGiving Sense to the Past: Historical D(ist)ance and the Chiasmatic Interlacing of Affect and KnowledgeEssay by Timmy de LaetOxford University Press, 2018Original language: EN
CUERPOS AJENOSWork by José A. SánchezEdiciones de la Universidad de Castilla-La Mancha, 2017Original language: ES
QUAND L’IMAGE AGÎT À PARTIR DE L’ACTION PHOTOGRAPHIQUECollective work edited by Michelle Debat and Paul-Louis RoubertSur les traces de La Table verte — Une IntroductionEssay by Olga de SotoÉditions Filigranes, Paris, 2017Original language: FR
UNWORKING CHOREOGRAPHY: THE NOTION OF THE WORK IN DANCEWriting by Frédéric PouillaudeOxford University Press, 2017Language: EN | Original language: FR
GESTES EN ÉCLATS — ART, DANSE ET PERFORMANCESaisir le document : enjeux et formes chorégraphiquesEssay by Marie QuiblierCollective work edited by Aurore DeprèsLes presses du réel, Paris, 2016Original language: FR
UNGOVERNING DANCE: CONTEMPORARY EUROPEAN THEATRE DANCE AND THE COMMONSWriting by Ramsay BurtOxford University Press, 2016Original language: EN
KÖPER ALS ARCHIV IN BEWEGUNG. CHOREOGRAFIE ALS HISTORIOGRAFISCHE PRAXISWriting by Julia WehrenTranscript Verlag, Bielefeld, 2016Original language: DE
CORRESPONDENCIAS BADCollective work edited by Pablo Fidalgo LareoEmpecé buscando nombresEssay by Olga de SotoÁrea de Cultura del Ayuntamiento de Bilbao, 2015Original language: ES
LA DANZA: ALIADA PERFECTA DEL PASADOEssay by Isabel de Naverán UrrutiaAusArt Journal for Research in Art. Vol 3. 1 — Investigación en danza, 2015Original language: ES
MEMORY IN DANCEEssay by Anna Królicain Metamorphosis of the Locations, Memories and TransformationAlternatives Théâtrales | Hors série #16Collective work co-edited by Les Brigittines, La Briquetterie and CK Zamek, 2014Original language: bilingual FR, EN
SCORES #3Collective work edited by Walter Heun, Krassimira Kruschova, Lejla Mehanovic and Sandra NoetDébords. Some considerations on an overflowing research projectText by Olga de SotoTanzquartier Wien Publication, Wien, 2013Original language: EN
POÉTICA DE LA DANZA CONTEMPORÁNEAWriting by Laurence LouppeEdiciones Universidad de Salamanca / Focus 12, 2012Language: ES | Original language: FR
HISTOIRE(S)Text by Olga de SotoRepères, Cahier de danseÉd. La Briqueterie / CDC Val-de-Marne, 2011/1 (n° 28)Original language: FR
A CONTRACUENTO. LA DANZA Y LAS DERIVAS DEL NARRAR Writing by Roberto FratiniEd. Polígrafa / GG — Colección Cuerpo de Letra [4]: Danza y Pensamiento, 2011 Original language: ES
POETICS OF CONTEMPORARY DANCEWriting by Laurence LouppeDance Boooks Ltd, 2010Language: EN | Original language: FR
EREDITÀ NEGATE. CANONE, STORIA E MEMORIAWriting by Susanne FRANCOin Ricordanze. Memoria in movimento e coreografie della storiaedited by Susanne Franco and Marina NorderaUTET Università, Torino, 2010Original language: IT
HACER HISTORIA. REFLEXIONES DESDE LA PRÁCTICA DE LA DANZACollective work edited by Isabel de NaveránHistoire(s) — Diario de abordo (extracts)Text by Olga de SotoEd. Polígrafa / GG — Colección Cuerpo de Letra [3]: Danza y Pensamiento, 2010Original language: ES
IMAGINAIRES DANSÉS À PARTIR DE JEAN COCTEAU. Le Jeune homme et la Mort entre histoire, mémoire et loiEssay by Susanne Francoin Pas de mots. De la littérature à la danseCollective work edited by Laura Colombo and Stefano GenettiEd. Hermann, Paris, 2010Original language: FR
ORIGINAL UND REVIVALCollective work edited by Christina Thurner and Julia WehrenChronos Verlag, Zürich, 2010Original languages: DE, EN and FR
LE DÉSŒUVREMENT CHORÉGRAPHIQUE. ÉTUDES SUR LA NOTION D'ŒUVRE EN DANSEWriting by Frédéric PouillaudeÉditions Vrin — Essais d'art et de philosophie, 2009Original language: FR
STROBOSCOPIC STUTTER: ON THE NOT-YET-CAPTURED ONTOLOGICAL CONDITION OF LIMIT-ATTRACTIONSEssay by Paula CaspãoThe Drama Review, Vol. 51, No. 2MIT Press Journals, 2007Original language: EN
POÉTIQUE DE LA DANSE CONTEMPORAINE. LA SUITEWriting by Laurence LouppeÉditions Contredanse, 2006Original language: FR
CORPS À CORPS AVEC L'HISTOIREEssay by Claudia PalazzoloVertigo — Révue d'esthétique et d'histoire du cinémaÉditions Lignes, 2005Original language: FR
SCHIMMENSPEL ALS HERINNERINGSARBEID. HET DOCUMENTAIRE THEATER VAN OLGA DE SOTO, RABIH MROUÉ EN THE ATLAS GROUPEssay by Jeroen PeetersEtcetera #93, 2004Original language: NL
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